Andy Warhol: Films and Paintings

Peter Gidal, 1971
Peter Gidal’s early book “explores the relationship between the films and Warhol’s paintings. A major exponent of British structuralist/materialist film, the author emphasizes the connection between the serial nature of Warhol’s silkscreens and the fact that cinema consists of multiple frames. He also focuses on the temporal aspect of the films. According to Gidal, the anti-illusionism of Warhol’s cinema stems from his rejection of editing and montage in favor of continuous recording.”
Shelving
Painting,
Film / Video